
Brainworx bx_refinement Review
[fresh_divider style=”dotted”] Mixing tracks for a song in the digital domain seems easy with all the tools at your finger tips but still harshness is

[fresh_divider style=”dotted”] Mixing tracks for a song in the digital domain seems easy with all the tools at your finger tips but still harshness is

[fresh_divider style=”dotted”] I had the chance to review Elements of Dystopia, Elements of House, Elements of UK Dance and Elements of Garage MPC Expansion Pack.

[fresh_divider style=”dotted”] MSXII is a sound design team that has consistently released kit after kit of dopeness. The team always release big kits and sometimes

[fresh_divider style=”dotted”] FabFilter makes the coolest tools for music production and audio handling. To accomplish this, they consistently test and rethink industry requirements and have

[fresh_divider style=”dotted”] I had the opportunity to review The Mutha Plucka Live Bass Notes by MSXII and play around with the sounds. The Mutha Plucka

[fresh_divider style=”dotted”] Analog Lab 1.1 is the latest update for Analog Lab that was released last year. The software is powered with Arturia’s TAE technology

[fresh_divider style=”dotted”] Waldorf surprised many when they announced the Rocket back in Feberary 2013. I’m not sure if Waldorf was at NAMM 2013 but for

[fresh_divider style=”dotted”] I recently was approached with an opportunity to review a dope product in the Rob Papen series of plugins, Predator-PL. From his website,

[fresh_divider style=”dotted”] Technology is constantly evolving and I find it hard to keep up with the advances. One device I’m impressed with is the Apogee

[fresh_divider style=”dotted”] Akai released MPC Software 1.5 recently and I decided to download it and see what the new updates are. Installing MPC Software 1.5